'Arthur's Theme' by Christopher Cross from the Dudley Moore comedy Arthur brought Bacharach a third Oscar. His 'Baby, It's You' was recorded by the Beatles, Elvis Costello, Gene Pitney and Perry Como. ![]() The Bacharach-David collaboration '(They Long to Be) Close to You' was a worldwide hit for the Carpenters in 1970 and 'What the World Needs Now Is Love', originally recorded by Jackie DeShannon, was covered more than 150 times.īacharach and David frequently displayed a magic touch for Warwick, writing her hits 'Walk on By', 'I Say a Little Prayer', 'In Between the Heartaches' and 'Do You Know the Way to San Jose?'īacharach's 'Alfie' for the Michael Caine movie of the same name was a hit for Cilla Black and Tom Jones sang his title tune for Woody Allen's 'What's New Pussycat?' Other movie music from Bacharach included 'Raindrops Keep Fallin' on My Head' from Butch Cassidy and the Sundance Kid, for which Bacharach and David won two Academy Awards and a Grammy for best score. With suave good looks and a cool demeanor, Bacharach was described by songwriter Sammy Cahn as "the only songwriter who doesn't look like a dentist." Married four times, his wives included fellow songwriter Carole Bayer Sager and actress Angie Dickinson.īacharach's songs were recorded by an A-to-Z of artists, literally, from Aretha (Franklin) to Zoot (Sims). I'd hear rhymes, I'd hear thoughts and I'd hear it almost immediately."įor Bacharach, his talent was simple: "I'm a person that always tries to deal with melody." I'd hear his melodies and I'd hear lyrics. "He was just different," David once told an interviewer. Bacharach and David had 30 Top-40 hits in the '60s alone. More than 1200 artists performed his songs, which won six Grammys and three Oscars. He penned hits for singers ranging from Dionne Warwick to the Carpenters. ![]() They filled American radio and were featured in major movies, making them as frequently heard in the 1960s and early 1970s as works by the Beatles, Rolling Stones and Bob Dylan.īacharach wrote more than 500 songs, many featuring a tinkling piano and subtly seductive horn hooks. His songs, many written in a 16-year collaboration with lyricist Hal David, were neither rock nor strictly pop.
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